Ban en Banlieue Iduna Paalman Cha’s mother Hyung Soon Huo

Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles)

Jasmine Gibson

twintig jaar geleden in Normandië

it explores Edward Said's notion of "the intertwined and overlapping histories" in regards to South Korea and the United States through innovative deployments of voice

Arranged according to the pleasures of a collaborative conversation between co-translating poets

Ban en Banlieue Iduna Paalman Cha’s mother Hyung Soon HuoBhanu Kapil Ban en Banlieue follows a brown (black) girl as she walks home from school in the first moments of a riot. An April night in London, in 1979, is the axis of this startling work of overlapping arcs and varying approaches. By the end of the night, Ban moves into an incarnate and untethered presence, becoming all matter soot, meat, diesel oil and forceas she loops the city with the energy of global weather. Derived from performances in India,